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Kazimir Malevich
Mower
Mower, 1930
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Kazimir Malevich
Running man
Running man (Holodomor?), 1932
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Kazimir Malevich
red house
1932, oil on canvas 63x55.
state russian museum ,leningrad.
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Kazimir Malevich
trees
1904, oil 31x19
collection of george costakis, athens
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Kazimir Malevich
suprematism
oil on canvas 80.2x80.3
tate gallery, london
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Kazimir Malevich
running man
1930, oil on canvas 78.5x 65
musee national d art moderne, paris
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Kazimir Malevich
peasants
1928-1832, oil on canvas 77.5x88
state russian museum, leningrad
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Kazimir Malevich
landscape with five houses
1928-32, oil on canvas 83x62
state russian museum, leningrad
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Kazimir Malevich
peasant
1928-32, oil on canvas 131x100
state russian museum, leningrad.
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Kazimir Malevich
red square
1915, oil on canvas 53x53
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Kazimir Malevich
head of a pesant
1928-32. oil on canvas 55x45
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Kazimir Malevich
bathing women
1908, oil on canvas 59x48
state russian museum, leningrad
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Kazimir Malevich
peasant and horse
1928-32, oil on canvas 57x43 musee national d art moderne, paris.
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Kazimir Malevich
peasant woman with buckets
1912, oil on canvas 80.3x 80.3
museum of modern art , new york.
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Kazimir Malevich
suprematism
1915, oil on canvas 80x62
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Kazimir Malevich
flower girl
1903, oil on canvas 80x100
state russian museum, leningrad
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Kazimir Malevich
unemployed girl
1904, oil on cancas 80x66
state russian museum, leningrad
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Kazimir Malevich
church
1905, oil on cancas 60.3x44
george costakis collection, athens
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Kazimir Malevich
on the boulevard
1911, gouache on paper 72x71.
stedelijk museum, amsterdam
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Kazimir Malevich
relaxing
high society in top hats, 1908
white on card1904, 23.8x30.2.
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| Kazimir Malevich
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1878-1935
Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
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